About AGC Studios
AGC Studios was founded and launched by Chairman and CEO Stuart Ford in February 2017 as a platform to develop, produce, finance and globally license a diverse portfolio of feature films, scripted, unscripted and factual television, digital and musical content from its dual headquarters in Los Angeles and London. The new studio’s Hollywood output will have a wide-ranging multicultural focus, designed for exploitation across an array of global platforms including major studio partnerships, streaming platforms, traditional broadcast and cable television networks and independent distributors, both in the US and internationally.
AGC Studios is initially backed by three key strategic investors; Latin American private asset management firm MediaNet Partners; Silicon Valley entrepreneur, Symantec CEO and founder and chairman of Fibonacci Films, Greg Clark; and Image Nation Abu Dhabi, one of the leading media and entertainment companies in the Arabic-speaking world. Chief Operating Officer Miguel Palos is also a stakeholder in and co-founder of the business with Ford.
AGC Studios will have three principal operating subsidiaries covering production, distribution and finance.
Will develop and produce a diverse multicultural slate of mainstream English language feature film and TV projects. Aside from traditional Hollywood output, dedicated sub-divisions within AGC Productions will focus on generating material for Latino and Urban audiences as well as music-driven IP. The television output will include scripted series, unscripted and reality projects, factual content and content specifically created for digital platforms.
Will operate a substantial international film and television licensing and distribution platform, building on Ford and his management team’s lengthy track record at the forefront of licensing content to major studios, independent studios, broadcasters and streaming platforms globally.
Will provide development, production and post-production financing to both AGC Productions’ output as well as to select third-party produced film and TV productions via a portfolio of equity, senior and mezzanine debt, soft money and bridge-capital financial products.